By director of ‘How Long is Indefinite?’ Alexis L Wood
It is difficult to get the issue of indefinite detention publicised in the mainstream media. This is often because journalists need a ‘hook’, something that creates ‘news value’ because people being detained indefinitely simply isn’t considered news. But of course, many people do not know this is happening or what happens to the people behind the Home Office statistics. I decided to make ‘How Long is Indefinite?’ to emphasise the stories of detainees as human beings and not just news sound bites or statistics.
Indefinite detention as an aspect of the UK Borders Agency policy has never been raised in film before, yet it is central to all those incarcerated. The report ‘Detained Lives’ from the charity Detention Action, documents the futile practice of detaining those whose deportations cannot, in reality, take place; at least within a ‘reasonable time period’ – often for years. ‘How Long is Indefinite?’ explores the detention of three people affected by this policy: Fouad, Saleh and Aissata. In all three of their cases, the Home Office had no means to deport them and in two of their cases, no prospect of even obtaining it. The film asks why these people are detained in detention centres designed only ‘for the purposes of removal’.
All of the detainees featured in the ‘Detained Lives’ report have been released, some winning unlawful detention cases against their incarceration. However, this does not excuse the damage done to these detainees’ lives and shows that indefinite detention does not work, not to mention is illegal by its own definition. In addition, to detain one person for a year can cost the tax payer £40,150 – a hugely expensive system to operate in times (we are constantly reminded) of ‘austerity measures’.
Indefinite detention also raises mental health implications. In the film Aissata speaks of her 28-day hunger strike in response to six deportation flights the Home Office threatened her with but could never carry out. As the British government decries human rights abuses abroad, it is often said that closer attention needs to be paid to inhumane practices in the UK. ‘How Long is Indefinite?’ exposes one such practice that cannot be swept under government rhetoric any longer.
Alexis has worked for a range of charities in the UK and the middle east dealing with the issues of migrants and refugees before becoming a documentary film maker. ‘How Long is Indefinite?’ was inspired by her work with immigration detainees at Detention Action.